lb Lundby
'The reason why you play bridge is
BRIDGE
is only a game - have fun playing it like
Zia, regardless of the results. From the day
you play your very first tournament until you reach the highest level of
competition, bridge will reward you more if you remember that it is only a game.
Why not be like Zia and play bridge because it's fun?
I
had a great time participating in the first Journalist World Championship in
Salsomaggiore in 1992. Against Tommy Sandsmark and Rolf Olsen I opened very
light and immediately lost control of the auction. I couldn't stop the train
rolling until I arrived in 6NT, with myself as declarer. Perhaps my partner had
also overbid a trifle because, after the opening lead and a look at the dummy,
Rolf as West made a generous offer: 'Down two?'
Tommy apparently agreed, but I didn't: 'No, down three.' The Norwegians protested wildly so I had to play the hand trick by trick - down three. I got a zero, but bridge is only a game, so have fun playing it as we did.
New
round, new opponents, new hand.
This
one was a piece of cake - the final contract at every table was Four Hearts by
South. The opening lead was obvious - West had ace-king-queen of diamonds and
the suit broke 4-3-3-3. Ten tricks were made everywhere except when I was
declarer. Why?
Well,
like everyone else, I received a diamond
lead, but from the wrong hand, out of
turn. East found the lead
from four small and
although he deserved a prize for this he got a zero, because I used my right to
forbid the diamond lead.
Naturally
East apologised for his mistake, but
West's remark is worth mentioning: 'That's
all right, partner. I'm not sure I would have found the diamond lead anyway.'
New
round, new opponents, new hand:
South
Dealer |
ª | Q 7 6 4 | |||
|
N-S
Game |
© |
A
9 7 4 |
|
|
|
|
¨ |
A
Q 7 |
|
|
|
|
§ |
K
Q |
|
|
|
|
|
N |
|
|
ª | A J 8 | ª | K 10 5 4 | ||
© |
Q
8 |
|
W
E |
© |
J
10 6 |
¨ |
10
8 6 4 3 |
|
|
¨ |
9 |
§ |
10
9 |
|
|
§ |
6
5 4 3 2 |
|
|
|
S |
|
|
|
|
ª |
9
2 |
|
|
|
|
© |
K
5 3 2 |
|
|
|
|
¨ |
K
J 5 |
|
|
|
|
§ |
A
J 8 7 |
|
|
North-South were Alan Truscott and Phillip Alder. Peter Lund was East, and I held the West cards. This was the bidding:
W |
N |
E |
S |
|
|
|
1NT |
Pass |
2♣ |
Pass |
2♥ |
Pass |
4♥ |
All |
Pass |
|
|
|
|
I started with a low diamond to the ace in dummy and Phillip immediately played a low trump to the king. I followed suit with the queen.
Afterwards
my dear partner called my play a mishap. Peter has never accepted me as a player
on his level (where he stands alone). But my
play actually gave us a chance to defeat the
contract, so I may have some sort of talent. What happened?
From the South seat
Phillip continued with a low trump and paused
when I played the eight. Phillip: 'What's going on around here?'
Finally, Phillip decided to guard against the possibility that I was trying to get a hand with a Grosvenor Coup* for my daily column. In that case, I might have been trying to fool him by playing the queen of hearts from QJ108.
(*A
humorous psychological ploy whereby a player makes a
deliberate error that he knows his opponent(s) will never take advantage of
because of its irrationality. The purpose is
to demoralise.)
He
asked for the 'safe' nine of hearts from dummy without realising the risk. So
Peter, as East, got an unexpected trick with the ten of hearts and now it was up
to him to finish the work: a spade return and a diamond ruff with the jack of
hearts (perhaps the king of spades and a spade to the ace makes it somewhat
easier for partner).
Unfortunately
my partner didn't co-operate. In with the ten of hearts he returned a
club and my deception was to no avail.
Even after this experience my BOLS bridge tip is:
Bridge is only a game — have fun playing it.